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Katie Hartsock
and Milena Williamson
Kristín Ómarsdóttir's poetry has thrived in the vanguard of Icelandic literature
Hannah Loeb
The front cover features lines from Ellora Sutton’s poem ‘House of the Faun’ from the issue
The Fountain Katie HartsockThe Fountain opens on the Viennese U Bahn, emerging into startling winter sunlight. This image of subterranean eruption is one of many in the book, which returns obsessively to real and figurative fountains. Isaac Nowell's fountain is a social and mythical locus, the source to which history returns and is recycled. Roaming freely between classical and contemporary registers, Nowell's twelve line poems feel less like narratives or speeches than
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